
De/re-constructing Archives Residency
Images: Virliany Rizqia, Feysa Poetry, Divasio Suryawan
Images: Virliany Rizqia, Feysa Poetry, Divasio Suryawan
As Museum Nyah Lasem faces increasing pressure to align with standardised conservation practices, fundamental questions arise: Whose memory is being preserved? Who bears responsibility for its care? And how can that memory remain grounded in the local community while entering broader national narratives?
Output
Museum Nyah Lasem will host a one-month residency in which the selected facilitator will establish a temporary “school” in collaboration with local participants. The program will include workshops, seminars, and discussions. At the end of the residency, participants (or "students") will have the opportunity to collaboratively produce either an exhibition or a publication.
EXPERT COLLABORATORS
Haffata Zahra
W. Haffata Yahfitu Zahra is a historian specializing in women’s history in contemporary Indonesia, with a strong interest in humanities-based applied research. She integrates public history approaches to bridge academic inquiry and broader public engagement. Her previous work includes a conceptual study on the Indonesian Historiography Data Management System within global dynamics (2020) and a proposal for Cross-country Maritime Tourism through Nusantara Marine Wealth for the Pekan Budaya Nasional (2017). As a co-founder of Retrospect Nusantara, she actively contributes to the development of sustainable history production and dissemination through various public history initiatives.
Luka Yuanyuan Yang
Luka Yuanyuan Yang, a Museum Forward collaborator based in the UK, will join the program through a residency at Museum Nyah Lasem in November 2025. Her recent project at ESEA Contemporary (UK) centers on archiving personal histories and exploring cultural translation—themes that closely resonate with Nyah Lasem’s archives and heritage. Yang’s practice addresses diasporic experience, recollection, and the space between fact and fiction, as seen in her acclaimed film Chinatown Cha-Cha and her book Dance in Herland. Through her ESEA event Echoes of Elsewhere, she has articulated an archival approach that is both personal and universal. During the residency, she will also engage deeply with the Lasem community and local context, and will present and share these outcomes in this session.




